Distraction Series 12: Helen Keller or Arakawa

Front cover of Madeline Gins’s Heren Kerā matawa Arakawa Shūsaku (Helen Keller or Arakawa). Translated by Momoko Watanabe. Tokyo: Shinshokan, 2010. In honor of Blindness Awareness Month, Distraction Series 12 focusses on Madeline Gins’s book Helen Keller or Arakawa (1994) and the influence that Helen Keller had on Arakawa and Gins’s architectural practice. While Helen Keller is an extremely well-known figure in both the United States and Japan, Gins’s in-depth meditation on Keller’s thought and experience goes well beyond the usual elementary school focus on Keller’s childhood and tutelage under Annie Sullivan. Gins incorporates direct quotes from Keller along with poetic imaginings of her experience of being both blind and deaf and employs these against a backdrop of Arakawa’s paintings in particular to probe the ways in which we experience the world as well as what it means to inhabit an architectural body. Her Socialist Smile (2020), a new documentary film on Helen Keller by filmmaker John Gianvito, was available to stream last week as part of the New York Film Festival. With its focus on Helen Keller’s political activism, it highlights Keller as an historical figure who is still very relevant, something Arakawa and Gins felt deeply. From the

Distraction Series 11: ARAKAWA Shusaku Interview, at the ICC, Tokyo, 1997

・*CLICK HERE FOR TRANSCRIPT OF THE INTERVIEW* For Distraction Series 11, we are delighted to share an interview Arakawa gave in Tokyo, 1997, at the NTT InterCommunication Center (ICC), available for the first time with English subtitles. You can also find the English transcript of the interview on the Reversible Destiny Foundation website. In this roughly thirty-minute interview, Arakawa discusses what it means to him to think across two languages as well as the concept of the architectural body. He then waxes philosophical on human-made nature, civilization and architecture, and the relationship between computers and art. Conducted by Yukihiro Hirayoshi (professor of design and architecture at Kyoto Institute of Technology; formerly, curator at the National Museum of Art, Osaka), this interview not only provides insight into Arakawa’s approach to his work and his thoughts on a variety of related subjects, it also offers an interesting snapshot of the late 1990s from the point of a view of an artist. In the following year, the ICC held an exhibition of Arakawa and Madeline Gins’s work, entitled The City as the Art Form of the Next Millennium ARAKAWA/GINS (January 24th–March 29th, 1998), which featured a large model of a Reversible Destiny city