![\"\u30b9\u30af\u30ea\u30fc\u30f3\u30b7\u30e7\u30c3\u30c8](\"http:\/\/arakawagins.noor.jp\/2020agtokyo\/wp-content\/uploads\/\u30b9\u30af\u30ea\u30fc\u30f3\u30b7\u30e7\u30c3\u30c8-2018-02-09-16.52.17-560x427.png\")
<\/p>\n<\/p>\n
Waddington Custot is pleased to present <\/span>Invisible Cities<\/em>, curated by Flavia Frigeri. Taking its title from Italo Calvino\u2019s novel, <\/span>Le citt\u00e0 invisibili<\/em>, this exhibition brings together an international group of artists who, in different ways, explore concepts of the ideal city and discover the necessary coexistence of the real and the imagined. The exhibition includes drawing, painting and sculpture by <\/span>Giorgio de Chirico, Fausto Melotti, Maria Helena Vieira da Silva, Gego, Shusaku Arakawa, Giulio Paolini <\/strong>and<\/span> Tom\u00e1s Saraceno.<\/strong><\/p>\n Calvino\u2019s Le citt\u00e0 invisibili<\/em>, published in 1972, imagines a fictional conversation between the Venetian explorer, Marco Polo, and Kublai Khan, the 13th century ruler of the Mongol Empire. Polo describes a series of wondrous cities which are geographically unspecific, yet imbued with glimpses of reality.<\/span><\/p>\n In the exhibition, the closest literal reference to a city is found in the \u2018metaphysical\u2019 cityscapes of Giorgio de Chirico (b. 1888, Volos, Greece; d. 1978, Rome, Italy). Calvino described de Chirico\u2019s dream-like setting as a \u2018city of the mind\u2019; the steep perspective of an Italianate portico becomes surreal, surrounded by awkward shadows and melancholic skies.<\/span><\/p>\n Alternately, the lyrical, metal sculptures of Fausto Melotti (b. 1901, Rovereto, Italy; d. 1986, Milan, Italy) embodied, for Calvino, his most abstract cities. Calvino met Melotti while writing Le citt\u00e0 invisibili<\/em> and Melotti\u2019s sculpture became central to Calvino\u2019s description of his \u2018thin city\u2019. The writer saw in these sculptures the stripped back, essential core of modernist architecture. In Calvino’s words, Melotti\u2019s sculptures realised what a utopian city could be: \u2018cities on stilts, spider web cities\u2019. The artist was presented with a copy of Invisible Cities<\/em>, inscribed by the author, \u2018For Fausto Melotti, the thin cities and all the others\u00a0in this book, which [are] also yours…\u2019<\/span>\u00a0<\/span><\/p>\n In the paintings of Maria Helena Vieira da Silva (b. 1908, Lisbon, Portugal; d. 1992, Paris, France) the\u00a0physical architecture of the cityscape is splintered. She used \u2018floating\u2019 lines to draught architectural skeletons and achieved a profound illusion of space. She noted, \u2018I want to paint what is not there as though it existed.\u2019 As Polo recalled cities from memory, so Vieira da Silva\u2019s imagined structures and landscapes were constantly shifting, as distant recollections.<\/span><\/p>\n Gego (b. 1912, Hamburg, Germany; d. 1994, Caracas, Venezuela), in a series of Drawings without Paper<\/em>, \u2018liberated\u2019 line from the constraints of two-dimensions. Her drawings describe true volume and space. Gego trained and worked as an architect, but her sculpture went beyond prescribed ideas of structure and the urban to more ethereal and abstract forms, linear environments hanging in space.<\/span><\/p>\n Structure described through a reduction to the essential line is central to Calvino\u2019s thought and this exhibition. Of the work of Shusaku Arakawa (b. 1936, Nagoya, Japan; d. 2010, New York City, USA), Calvino wrote, \u2018\u2026lines belong to bundles of lines which may have a common point of departure or else may converge in a point, in which case they create perspectives.\u2019 Maps, floorplans, and diagrams of three-dimensional structures feature prominently in Arakawa\u2019s painting from the mid-1960s to the mid-1980s. Then, working with poet and philosopher Madeline Gins, he redirected his energies to \u2018reversible destiny architecture\u2019, a term coined by them to describe an idealistic, utopian architecture. Arakawa\u2019s drawings in this exhibition are from his transitional period, when he was beginning to think about the potential of architecture.<\/span><\/p>\n Giulio Paolini (b. 1940, Genoa, Italy) and Calvino maintained a close relationship. The two were united by a common interest in the space of the mind and its representation. While Calvino approached it from a narrative perspective Paolini questioned it visually. Their exchange was premised on conceptual grounds and it brought to the fore how space could be envisioned and mapped. In this exhibition the notion of mental space will be explored in connection with the idea of imagined city.<\/span><\/p>\n Calvino\u2019s \u2018spider web\u2019 city swings over an abyss, tied with ropes to two mountain tops, its precarious situation opposing gravity. Parallels can be drawn with Tom\u00e1s Saraceno\u2019s (b. 1973, San Miguel de Tucum\u00e1n, Argentina) prototypes for floating cities. His hanging sculptures, including \u2018IC 4970\/M+W\u2019 (2016) in the exhibition, are part of his long-term research project, Cloud Cities<\/em>, which aims to develop a \u2018modular and transnational city in the clouds\u2019 that represents a model for sustainable and emancipatory building practices.<\/span><\/p>\n \u2018The gallery is delighted to have the opportunity to examine \u2018Invisible Cities\u2019 through the eyes of these artists in particular. This exhibition will hopefully inspire imagination through the work\u2019s poetic essence and visual lightness. It has been such a joy to work with Flavia on this and enter Calvino\u2019s wondrous dream-like world and utopian imagination\u2019<\/em><\/span><\/p>\n Roxana Afshar, Director<\/span><\/strong><\/p>\n quoted from Official Website<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":" Waddington Custot is pleased to present Invisible Cities, curated by Flavia Frigeri. Taking its title from Ita […]<\/p>\n","protected":false},"author":1,"featured_media":9599,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_s2mail":""},"categories":[107,83],"tags":[],"aioseo_notices":[],"yoast_head":"\n\n\n