{"id":19871,"date":"2024-11-22T17:22:09","date_gmt":"2024-11-22T08:22:09","guid":{"rendered":"https:\/\/www.architectural-body.com\/?p=19871"},"modified":"2025-01-23T13:16:15","modified_gmt":"2025-01-23T04:16:15","slug":"%e6%b2%a1%e5%be%8c20%e5%b9%b4-%e6%9d%b1%e9%87%8e%e8%8a%b3%e6%98%8e%e3%81%a8%e6%88%a6%e5%be%8c%e7%be%8e%e8%a1%93","status":"publish","type":"post","link":"https:\/\/www.architectural-body.com\/?p=19871&lang=en","title":{"rendered":"Tono Yoshiaki and Postwar Art"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"19871\" class=\"elementor elementor-19871 elementor-19779\" data-elementor-settings=\"[]\">\n\t\t\t\t\t\t<div class=\"elementor-inner\">\n\t\t\t\t\t\t\t<div class=\"elementor-section-wrap\">\n\t\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-f8d3778 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"f8d3778\" 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src=\"https:\/\/www.architectural-body.com\/wp-content\/uploads\/\u30b9\u30af\u30ea\u30fc\u30f3\u30b7\u30e7\u30c3\u30c8-2024-11-22-17.19.28-560x794.jpg\" alt=\"\u6ca1\u5f8c20\u5e74 \u6771\u91ce\u82b3\u660e\u3068\u6226\u5f8c\u7f8e\u8853\u3000\u30c1\u30e9\u30b7\u88cf\u9762\" \/><\/figure><\/a><\/div>\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"swiper-pagination\"><\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"elementor-swiper-button elementor-swiper-button-prev\">\n\t\t\t\t\t\t<i class=\"eicon-chevron-left\" aria-hidden=\"true\"><\/i>\n\t\t\t\t\t\t<span class=\"elementor-screen-only\">\u524d<\/span>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<div class=\"elementor-swiper-button elementor-swiper-button-next\">\n\t\t\t\t\t\t<i class=\"eicon-chevron-right\" aria-hidden=\"true\"><\/i>\n\t\t\t\t\t\t<span class=\"elementor-screen-only\">\u6b21<\/span>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-ec2e468 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"ec2e468\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t\t\t<div class=\"elementor-row\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-044ab1e\" data-id=\"044ab1e\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-708d853 elementor-widget elementor-widget-text-editor\" data-id=\"708d853\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-text-editor elementor-clearfix\">\n\t\t\t\t\t<p>Tono Yoshiaki (1930-2005) was an art critic active after World War II. Having traveled to Europe and the United States in the late 1950s, Tono endeavored to introduce the Western &#8220;contemporary art&#8221; he encountered there to Japan. From the 1960s onwards, he supported the activities of artists of his generation, whom he called \u201cHan Geijutsu (Anti-Art)\u201d. Beyond writing vivid critiques incorporating his experiences at creative sites, Tono also participated in the planning of exhibitions and spent a lot of time with artists from both Japan and elsewhere. In his later years, he deepened his contemplation of water, and even produced photographic works using his hobby of skin diving.<\/p><p>Held to commemorate the 20th anniversary of Tono&#8217;s death, this exhibition will introduce his journey as an art critic, focusing on the museum&#8217;s collection and materials. Being one of the critics with a particularly strong connection to the museum&#8217;s predecessor, The Museum of Modern Art, Toyama, Tono had a major influence on the formation of the museum&#8217;s collection. Throughout the exhibition, we will look back on Tono&#8217;s critiques and the art he observed.<\/p><p>Quoted from the official Website.<\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>\u524d \u6b21 Tono Yoshiaki (1930-2005) was an art critic active after World War II. Having traveled to Europe and the U [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":19872,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_s2mail":"no"},"categories":[107,83],"tags":[],"aioseo_notices":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v16.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Tono Yoshiaki and Postwar Art - \u8352\u5ddd\u4fee\u4f5c\uff0b\u30de\u30c9\u30ea\u30f3\u30fb\u30ae\u30f3\u30ba - ARAKAWA + GINS Tokyo Office<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.architectural-body.com\/?p=19871&#038;lang=en\" \/>\n<meta property=\"og:locale\" content=\"ja_JP\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Tono Yoshiaki and Postwar Art - \u8352\u5ddd\u4fee\u4f5c\uff0b\u30de\u30c9\u30ea\u30f3\u30fb\u30ae\u30f3\u30ba - ARAKAWA + GINS Tokyo Office\" \/>\n<meta property=\"og:description\" content=\"\u524d \u6b21 Tono Yoshiaki (1930-2005) was an art critic active after World War II. 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