{"id":13746,"date":"2022-02-08T13:37:24","date_gmt":"2022-02-08T04:37:24","guid":{"rendered":"http:\/\/arakawagins.noor.jp\/2020agtokyo?p=13746"},"modified":"2022-02-08T13:44:16","modified_gmt":"2022-02-08T04:44:16","slug":"az6","status":"publish","type":"post","link":"https:\/\/www.architectural-body.com\/?p=13746&lang=en","title":{"rendered":"Ambiguous Zones 6: Lecture and virtual tour by Dr. Ignacio Adriasola of the exhibition ARAKAWA: Waiting Voices at Gagosian Gallery in Basel, December 9th, 2021"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"13746\" class=\"elementor elementor-13746 elementor-13736\" data-elementor-settings=\"[]\">\n\t\t\t\t\t\t<div class=\"elementor-inner\">\n\t\t\t\t\t\t\t<div class=\"elementor-section-wrap\">\n\t\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-5c00ecf elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"5c00ecf\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t\t\t<div class=\"elementor-row\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-e2f5121\" data-id=\"e2f5121\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-067de3d elementor-widget elementor-widget-image\" data-id=\"067de3d\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-image\">\n\t\t\t\t\t\t\t\t\t<figure class=\"wp-caption\">\n\t\t\t\t\t\t\t\t\t\t<img width=\"560\" height=\"519\" src=\"https:\/\/www.architectural-body.com\/wp-content\/uploads\/ArakawaGins_labyrinth-terrain-560x519.jpg\" class=\"attachment-large size-large\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/www.architectural-body.com\/wp-content\/uploads\/ArakawaGins_labyrinth-terrain-560x519.jpg 560w, https:\/\/www.architectural-body.com\/wp-content\/uploads\/ArakawaGins_labyrinth-terrain-420x389.jpg 420w, https:\/\/www.architectural-body.com\/wp-content\/uploads\/ArakawaGins_labyrinth-terrain-300x278.jpg 300w, https:\/\/www.architectural-body.com\/wp-content\/uploads\/ArakawaGins_labyrinth-terrain-768x711.jpg 768w, https:\/\/www.architectural-body.com\/wp-content\/uploads\/ArakawaGins_labyrinth-terrain.jpg 1080w\" sizes=\"(max-width: 560px) 100vw, 560px\" \/>\t\t\t\t\t\t\t\t\t\t\t<figcaption class=\"widget-image-caption wp-caption-text\">Arakawa and Madeline Gins, Study for Sites of Reversible Destiny, digital rendering, ca. 1994 <\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b271116 elementor-widget elementor-widget-text-editor\" data-id=\"b271116\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-text-editor elementor-clearfix\">\n\t\t\t\t\t<div class=\"section01\">\n<p class=\"big\">Dear Friends,<\/p>\n<p class=\"big\">Happy New Year of the Tiger!<\/p>\n<p class=\"big\">We hope you had a restorative holiday break. At the dawn of 2022, all of us here at the Reversible Destiny Foundation and the ARAKAWA+GINS Tokyo Office are looking resolutely toward the new horizon, fresh with limitless possibilities, following Arakawa and Madeline Gins\u2019s commitment to a positive mindset coupled with (serious) playfulness.<\/p>\n<p class=\"big\">We begin the year with the sixth issue of Ambiguous Zones, which features a video recording of a lecture by Dr. Ignacio Adriasola that took place on December 9th of last year, live from the exhibition <em>ARAKAWA: Waiting Voices<\/em> at Gagosian Gallery in Basel (on view until January 22nd). In his lecture, Dr. Adriasola illuminates some of the recurring themes and motifs present in the works of Arakawa on display at the gallery, which range in date from 1964 to 1984, and brings to the fore the sensuality of texture and materiality in the artist\u2019s paintings.<\/p>\n<p class=\"big\">Our next webinar will be on January 12th at 12pm EST with guest speaker Tiffany Lambert, Curator of the Gallery at Japan Society in New York. Her lecture will focus on the connection between Arakawa\u2019s art and Arakawa+Gins\u2019s architecture. We hope you will join us to continue learning more about their work! (<a href=\"https:\/\/us02web.zoom.us\/webinar\/register\/WN_EjOWiXRCSAGhqGjfilmjBQ\">click here to register in advance<\/a>).<\/p>\n<p class=\"big\">Yours in the reversible destiny mode,<\/p>\n<p class=\"big\"><em>Reversible Destiny<\/em> Foundation and ARAKAWA+GINS Tokyo Office<\/p>\n<\/div>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-b6b79dd elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"b6b79dd\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t\t\t<div class=\"elementor-row\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-ac33b97\" data-id=\"ac33b97\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-e22bd25 elementor-aspect-ratio-169 elementor-widget elementor-widget-video\" data-id=\"e22bd25\" data-element_type=\"widget\" data-settings=\"{&quot;video_type&quot;:&quot;vimeo&quot;,&quot;aspect_ratio&quot;:&quot;169&quot;}\" data-widget_type=\"video.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-wrapper elementor-fit-aspect-ratio elementor-open-inline\">\n\t\t\t<iframe class=\"elementor-video-iframe\" allowfullscreen title=\"vimeo \u52d5\u753b\u30d7\u30ec\u30fc\u30e4\u30fc\" src=\"https:\/\/player.vimeo.com\/video\/662407237?color&amp;autopause=0&amp;loop=0&amp;muted=0&amp;title=1&amp;portrait=1&amp;byline=1#t=\"><\/iframe>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-72cd5e7 elementor-widget elementor-widget-text-editor\" data-id=\"72cd5e7\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-text-editor elementor-clearfix\">\n\t\t\t\t\t<p>Lecture and virtual tour by Dr. Ignacio Adriasola of the exhibition <em>ARAKAWA: Waiting Voices<\/em> at Gagosian Gallery in Basel, December 9th, 2021<\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Arakawa and Madeline Gins, Study for Sites of Reversible Destiny, digital rendering, ca. 1994 Dear Friends, Ha [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":13747,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_s2mail":"yes"},"categories":[106,109,110,84],"tags":[],"aioseo_notices":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v16.9 - 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