{"id":13688,"date":"2022-02-08T13:14:59","date_gmt":"2022-02-08T04:14:59","guid":{"rendered":"http:\/\/arakawagins.noor.jp\/2020agtokyo?p=13688"},"modified":"2022-02-08T13:18:08","modified_gmt":"2022-02-08T04:18:08","slug":"arakawa-waiting-voices","status":"publish","type":"post","link":"https:\/\/www.architectural-body.com\/?p=13688&lang=en","title":{"rendered":"ARAKAWA: Waiting Voices"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"13688\" class=\"elementor elementor-13688 elementor-13681\" data-elementor-settings=\"[]\">\n\t\t\t\t\t\t<div class=\"elementor-inner\">\n\t\t\t\t\t\t\t<div class=\"elementor-section-wrap\">\n\t\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-05f35b8 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"05f35b8\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t\t\t<div class=\"elementor-row\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-0b1e752\" data-id=\"0b1e752\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-50f6e57 elementor-widget elementor-widget-image\" data-id=\"50f6e57\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-image\">\n\t\t\t\t\t\t\t\t\t<figure class=\"wp-caption\">\n\t\t\t\t\t\t\t\t\t\t<img width=\"560\" height=\"408\" src=\"https:\/\/www.architectural-body.com\/wp-content\/uploads\/hxgE4EgwJEYQ_2340x1316-560x408.jpg\" class=\"attachment-large size-large\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/www.architectural-body.com\/wp-content\/uploads\/hxgE4EgwJEYQ_2340x1316-560x408.jpg 560w, https:\/\/www.architectural-body.com\/wp-content\/uploads\/hxgE4EgwJEYQ_2340x1316-420x306.jpg 420w, https:\/\/www.architectural-body.com\/wp-content\/uploads\/hxgE4EgwJEYQ_2340x1316-300x219.jpg 300w, https:\/\/www.architectural-body.com\/wp-content\/uploads\/hxgE4EgwJEYQ_2340x1316-768x560.jpg 768w, https:\/\/www.architectural-body.com\/wp-content\/uploads\/hxgE4EgwJEYQ_2340x1316-1536x1119.jpg 1536w, https:\/\/www.architectural-body.com\/wp-content\/uploads\/hxgE4EgwJEYQ_2340x1316.jpg 1806w\" sizes=\"(max-width: 560px) 100vw, 560px\" \/>\t\t\t\t\t\t\t\t\t\t\t<figcaption class=\"widget-image-caption wp-caption-text\">Arakawa, Waiting Voices, 1976\u201377\n\nAcrylic, graphite, marker, and varnish on canvas and linen, in 2 parts, overall: 70 \u00d7 96 inches (177.8 \u00d7 243.8 cm)\n\n\u00a9 2021 Estate of Madeline Gins. Reproduced with permission of the Estate of Madeline Gins. Photo: Rob McKeever<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-0d20ac0 elementor-widget elementor-widget-text-editor\" data-id=\"0d20ac0\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-text-editor elementor-clearfix\">\n\t\t\t\t\t<p><strong><em> wanted to change art, to change life\u2014I became a radical.<\/em><\/strong><\/p><p><strong>\u2014Arakawa<\/strong><\/p><p>Gagosian is pleased to present <em>Waiting Voices<\/em>, an exhibition of works on canvas and paper by Arakawa produced between 1964 and 1984. This is the artist\u2019s first exhibition with the gallery in Basel.\u00a5<\/p><p>Arakawa (1936\u20132010) was one of the earliest international pioneers of Conceptual art, and a founding member of the Japanese avant-garde collective Neo Dada. Working in painting, drawing, printmaking, and architecture, he described himself as an \u201ceternal outsider\u201d and an \u201cabstractionist of the distant future.\u201d After relocating from Tokyo to New York in 1961, where he encountered Marcel Duchamp and many of the French artist\u2019s contemporaries, he began producing \u201cdiagram paintings,\u201d combining schematic images with text in a study of epistemology and perception. In 1962, Arakawa met his future wife and collaborator, the poet, writer, and philosopher Madeline Gins. From 1963 to 1973, the couple collaborated on an eighty-painting suite, <em>The Mechanism of Meaning<\/em><em>,\u00a0<\/em>and in the 1990s they worked on a theory of \u201cprocedural architecture\u201d through which they aimed to extend the lives of a building\u2019s occupants.<\/p><p><em>Waiting Voices<\/em> features paintings and drawings produced by Arakawa over a twenty-year span. <em>A Diagram of Imagination<\/em> (1965), <em>Separated Continuums<\/em> (1966), and <em>A Couple<\/em> (1966\u201367) are among several paintings from the mid-1960s that represent architectural space. The earliest of the three shows part of a simple town plan layered over a grid; the others focus on interior space. In <em>Separated Continuums<\/em>, coordinates on a grid\u2014featureless apart from two colored lines\u2014are labeled with the names of household objects and fixtures. <em>A Couple<\/em> is, for the most part, similarly schematic, but Arakawa has added renderings of windows to the graphic marks as well as stenciled words and numbers that denote the contents of the room. The painting\u2019s diptych format also hints at a narrative progression and allows viewers to imagine the unseen titular duo.<\/p><div id=\"id_more\" class=\"exhibition__text__more more\"><p>In <em>Untitled (Voice Inoculations)<\/em> (1964\u201365), a diagram of a cube is labeled with words\u2014some of them stenciled backward\u2014that conjure an ambiguous play on orientation, scale, and other attributes of an object. <em>Hard or Soft No. 3<\/em> (1969) also features text, which in this case informs the viewer\u2014with Arakawa\u2019s characteristic deadpan wit\u2014that the composition\u2019s meandering arrows \u201cindicate almost nothing\u201d and that the accompanying numbers may be rearranged in any order. The two-part <em>Waiting Voices\u00a0<\/em>(1976\u201377) pairs a grouping of geometric forms\u2014reminiscent of the \u201csuitors\u201d in Duchamp\u2019s <em>The Bride Stripped Bare by Her Bachelors, Even (The Large Glass)<\/em> (1915\u201323)\u2014with an abstruse marginal text.<\/p><p>Also on view are several works on paper, including <em>Study for \u201cBlank\u201d No. 2<\/em> (1981) and<em>\u00a0Study for the \u201cSharing of Nameless\u201d No. 3<\/em> (1983\u201384), both of which feature plan-like networks layered over words, arrows, and, in the later example, a grid of variegated tones. Blending coded signification with a shifting ambiguity, they build bridges from Arakawa\u2019s imagination to create an art that is fully realized only in the mind and body of the viewer.<\/p><p>(Quoted form the <a href=\"https:\/\/gagosian.com\/exhibitions\/2021\/arakawa-waiting-voices\/\">official website<\/a>)<\/p><\/div>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Arakawa, Waiting Voices, 1976\u201377 Acrylic, graphite, marker, and varnish on canvas and linen, in 2 parts, overa [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":13689,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_s2mail":"yes"},"categories":[107,82],"tags":[],"aioseo_notices":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v16.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>ARAKAWA: Waiting Voices - \u8352\u5ddd\u4fee\u4f5c\uff0b\u30de\u30c9\u30ea\u30f3\u30fb\u30ae\u30f3\u30ba - ARAKAWA + GINS Tokyo Office<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.architectural-body.com\/?p=13688&#038;lang=en\" \/>\n<meta property=\"og:locale\" content=\"ja_JP\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"ARAKAWA: Waiting Voices - \u8352\u5ddd\u4fee\u4f5c\uff0b\u30de\u30c9\u30ea\u30f3\u30fb\u30ae\u30f3\u30ba - ARAKAWA + GINS Tokyo Office\" \/>\n<meta property=\"og:description\" content=\"Arakawa, Waiting Voices, 1976\u201377 Acrylic, graphite, marker, and varnish on canvas and linen, in 2 parts, overa [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.architectural-body.com\/?p=13688&amp;lang=en\" \/>\n<meta property=\"og:site_name\" content=\"\u8352\u5ddd\u4fee\u4f5c\uff0b\u30de\u30c9\u30ea\u30f3\u30fb\u30ae\u30f3\u30ba - ARAKAWA + GINS Tokyo Office\" \/>\n<meta property=\"article:published_time\" content=\"2022-02-08T04:14:59+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2022-02-08T04:18:08+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/arakawagins.noor.jp\/2020agtokyo\/wp-content\/uploads\/hxgE4EgwJEYQ_2340x1316.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1806\" \/>\n\t<meta property=\"og:image:height\" content=\"1316\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"\u306b\u3088\u3063\u3066\u66f8\u304b\u308c\u305f\" \/>\n\t<meta name=\"twitter:data1\" content=\"admin\" \/>\n\t<meta name=\"twitter:label2\" content=\"\u63a8\u5b9a\u8aad\u66f8\u6642\u9593\" \/>\n\t<meta name=\"twitter:data2\" content=\"3\u5206\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.architectural-body.com\/#website\",\"url\":\"https:\/\/www.architectural-body.com\/\",\"name\":\"\\u8352\\u5ddd\\u4fee\\u4f5c\\uff0b\\u30de\\u30c9\\u30ea\\u30f3\\u30fb\\u30ae\\u30f3\\u30ba - ARAKAWA + GINS Tokyo Office\",\"description\":\"\\u3053\\u3061\\u3089\\u306f\\u8352\\u5ddd\\u4fee\\u4f5c+\\u30de\\u30c9\\u30ea\\u30f3\\u30fb\\u30ae\\u30f3\\u30ba \\u30aa\\u30d5\\u30a3\\u30b7\\u30e3\\u30eb\\u30b5\\u30a4\\u30c8\\u3067\\u3059\\u3002\\u30d7\\u30ed\\u30d5\\u30a3\\u30fc\\u30eb\\u3001\\u8fd1\\u6cc1\\u3001\\u5c55\\u793a\\u4f1a\\u60c5\\u5831\\u3092\\u63b2\\u8f09\\u3057\\u3066\\u304a\\u308a\\u307e\\u3059\\u306e\\u3067\\u3001\\u305c\\u3072\\u3054\\u89a7\\u304f\\u3060\\u3055\\u3044\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.architectural-body.com\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"ja\"},{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/www.architectural-body.com\/?p=13688&lang=en#primaryimage\",\"inLanguage\":\"ja\",\"url\":\"https:\/\/www.architectural-body.com\/wp-content\/uploads\/hxgE4EgwJEYQ_2340x1316.jpg\",\"contentUrl\":\"https:\/\/www.architectural-body.com\/wp-content\/uploads\/hxgE4EgwJEYQ_2340x1316.jpg\",\"width\":1806,\"height\":1316,\"caption\":\"Arakawa, Waiting Voices, 1976\\u201377 Acrylic, graphite, marker, and varnish on canvas and linen, in 2 parts, overall: 70 \\u00d7 96 inches (177.8 \\u00d7 243.8 cm) \\u00a9 2021 Estate of Madeline Gins. 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